2.0) Drawing: A Brief Primer

2.1) Flow & Fit

2.2) Positive/Negative Relationships

2.3) Contrast

2.31) Color

2.32) Guest Writer Russ Abbott: Color Theory For Tattooists

2.33) Guest Writer Steve Butcher : Bringing Realistic Focus Effects Into Your Work

2.4) Priority

2.5) Reserve

2.6) Lines & Edges

2.7) Depth

2.8) Lighting & Luminosity

2.9) The Design Needs Of The Client

2.91) Guest Writer Megan Jean Morris: Process and Mindset

3.1) A Broader Perspective

3.2) Examples of Other Mediums

3.3) Surface Preparation: Building Your Foundation

3.4) Acrylic Painting: A Brief Tutorial

3.41) Rendering 3D Forms In Acrylic

3.5) Oil Painting: A Brief Tutorial

3.51) Guest Writer Nick Baxter: Sharp Focus Realism In Oil - An Excerpt

4.1) Seeing The Real Thing

4.2) Finding or Creating Our References

4.3) Doing a Tattoo From a Model, Working From a Line Stencil

4.4) Doing a Tattoo From a Model, Working From a Crosshatch Stencil

4.5) Doing a Tattoo From a Model: Working From a Freehand Drawing

4.6) Extreme Modeling: A Larger Scale Project

5.0) Basic Computing for Tattooists

5.1) A Beginner's Guide To Procreate

5.2) A Brief Adobe Photoshop Tutorial

5.21) Guest Writer Halo : Taking The Digital Leap

5.3) Using Photoshop in the Design Process: Scanning and Coloring a Drawing

5.4) Using Photoshop in the Design Process: Making a Digital Simulation of a Tattoo

5.5) Using Photoshop in the Design Process: Sizing a Drawing to a Tracing

5.6) Using Photoshop in the Design Process: Compositing Multiple Images Into One

6.0) Technique, An Overview

6.1) Design Transfer: Stenciling and Freehanding

6.11) Guest Writer Don McDonald: Working With Large Stencils

6.2) Needles

6.3) Tubes

6.4) Coil Machine Tuning

6.41) The New Wave of Rotary Machines

6.5) Traditional Machine Setup

6.6) The Stretch

6.7) Tightening and Softening

6.8) Starting a Tattoo Magnum First

6.9) Comfort and Ergonomics

7.1) Bringing It All Together

7.2) A Simple Rose

7.21) Guest Writer Phil Garcia: Attention to Detail

7.3) A 3-Hour Skull Project

7.31) Outer Space Organic Mech Tattoo

7.32) Intensive Rendering: Mind, Body, Spirit

7.4) The Sacred Heart

7.5) The Seahorse

7.6) A Difficult Spot: Neck Inferno

7.7) A Black and Gray Design

7.71) Guest Writer Nick Baxter: Working In Layers

7.8) Making Your Technique Work

8.1) Coverup Tattooing: Facts, Myths and New Understandings

8.2) Coverup Examples, Large and Small

8.3) Almost Too Good To Be True: Laser Tattoo Removal

8.4) Scar Coverups: A Next-Level Challenge

8.5) Blackwork Coverup

8.6) Incorporating Coverup Tattooing Into Your Career

9.1) Conclusion: New Horizons

10 Critical Factors for Effective Tattooing

Essential Design Compositing

Flow & Fit - Composition Fundamentals for fluid Tattoo Design

Structure

Guy's Bag of Tricks #1

Guy's Bag of Tricks #2

Tightening Part 1

Tightening Part 2a

Tightening Part 2b

Tightening Part 3

Tightening Part 4

Tightening Part 5

Coverup - A Fresh Look

Coverup the Next Level

Live Monday Exercise with Guy Aitchison 9 PM EST

Live Thursday Fundamental Exercise with Kire Franklin 7pm EST

Depth Strategies Part 7 - Final Project

Dogwood Exercise

Tribal Coverup Exercise

Visual Priority Exercise

Line Weight Priority - Beetle Drawing Exercise

Visual Priority Exercise

Blind Drawing

Tivon